Breaking Down Cultural Barriers in The Odyssey
Christopher Nolan’s latest film, The Odyssey, is a highly anticipated adaptation of Homer’s ancient Greek epic. The director has been open about his approach to building the world of the film, insisting that his goal was to make it feel ‘very fresh for modern audiences’ and ‘do away’ with the ‘cultural prejudices’ we have when we think about the ancient world.
In an interview with Channel 4’s Krishnan Guru-Murthy, Nolan discussed why people tend to think historical epics have to sound so formal, and why he went the complete opposite direction for The Odyssey. He explained that people have a tendency to elevate the ancient world ‘because it’s old,’ and that he wanted to create a more ‘earthy and grounded’ world that feels ‘vital and credible and exciting to be in.’
Nolan also discussed the line of dialogue that has become a lightning rod for online debate about The Odyssey and historical accuracy. In the movie, Spider-Man star Tom Holland plays Telemachus, son of Matt Damon’s Odysseus, and tells Robert Pattinson’s villainous Antinous, ‘My dad is coming home.’ This line has been criticized for not fitting the setting, but Nolan insists that it is ‘no less correct’ than other lines of dialogue.
When asked about the cultural prejudice around the ancient world, Nolan said, ‘When you look at this world, when you look at the ancient world, people tend to view it in weird ways. There’s a lot of cultural prejudice. There’s a lot of elevating it because it’s old.’
Nolan’s approach to The Odyssey is not just about the dialogue, but also about the casting choices. He has put contemporary faces on characters from ancient myth, including Lupita Nyong’o as Helen of Troy, Jon Bernthal as Sparta’s King Menelaus, and Zendaya as the goddess Athena.
Nolan has also defended his approach to The Odyssey, saying that people have a tendency to look back to the Romantic era and art, and that he wanted to create a more ‘consistent and accessible world’ that feels ‘vital and credible and exciting to be in.’
When asked about the historical accuracy of the film, Nolan said that our knowledge of the era is based on ‘very fragmentary archeological records,’ and that he has taken a more speculative approach to creating the world of the film.
Nolan’s approach to The Odyssey is not just about creating a more ‘earthy and grounded’ world, but also about making it feel more ‘vital and credible and exciting to be in.’ He has taken a more speculative approach to creating the world of the film, and has put contemporary faces on characters from ancient myth.
In a recent interview with the Los Angeles Times, Nolan said that he wanted to find ‘language that has emotional not intellectual meaning to people,’ and that he has used contemporary dialogue rather than artificially elevated speech.
Nolan has also defended his approach to The Odyssey, saying that people have a tendency to look back to the Romantic era and art, and that he wanted to create a more ‘consistent and accessible world’ that feels ‘vital and credible and exciting to be in.’
The Odyssey hits theaters on July 17, 2026, and is sure to be a highly anticipated film. With its unique approach to the ancient world and its use of contemporary dialogue, The Odyssey is a film that is sure to spark debate and discussion.